🇺🇸 MADE IN THE 🇺🇸
Eliminate muddy low-end rumble and protect your drivers with Harrison Labs Custom Cylindrical XLR High Pass Filters. Built for high-performance audio engineering, these premium passive inline tools are precision-engineered to clean up your signal path, increase amplifier headroom, and deliver crisp, articulate highs with zero added noise.
Each unit is custom manufactured using top-tier, heavy-duty Switchcraft connectors and housings for maximum durability, pristine shielding, and exceptional contact reliability in demanding studio, live sound, or broadcast environments.
Key Features
Precision Low-Cut Filtering: Effectively rolls off unwanted low-frequency sub-bass, floor vibrations, stage rumble, and microphone handling noise.
Balanced Mono Architecture: These are true balanced mono XLR units designed to maintain complete signal integrity and maximum common-mode noise rejection over long cable runs.
Stereo Requirements: Sold individually as mono units. Two units are necessary for a stereo setup (one for the Left channel, one for the Right channel).
Standard Orientation: Engineered with a Female Input and Male Output for seamless, plug-and-play placement directly along your signal chain.
Product Specifications
Filter Type: Passive High Pass (Low Cut)
Premium Build: Authentic Switchcraft® XLR connectors and rugged cylindrical metal housings.
Passive Design: Requires no external power supply—just clean, transparent frequency shaping.
⚠️ IMPORTANT Order Notice: Please note that these are custom-built units, individually assembled to order. All sales are final. Custom cylindrical XLR units cannot be returned, exchanged, or refunded. Please double-check your system specifications and crossover frequency requirements before placing your order.
High pass Fmods (filter modules) have red labels.
Low pass Fmods have black labels.
The color ring indicates the Harrison Labs standard crossover frequency (-3dB point).
There is an 8% (LP) / 25% (HP) frequency increase at 10K ohms and an 8% (LP) / 15% (HP) frequency decrease at 47K ohm load. Otherwise, all color design values of crossover frequencies are standardized at 22k ohms.
Keep in mind that exact crossover frequencies are seldom noticed or necessary.
| Standard Frequency & Band | Low Pass (Black Labels) | High Pass (Red Labels) |
|---|---|---|
| 20hz black bands | 25hz @ 10K / 17hz @ 47K & higher | |
| 30hz 2 black bands | 37hz @ 10K / 26hz @ 47K | |
| 50hz brown band | 54hz @ 10K / 46hz @ 47K & higher | 62hz @ 10K / 43hz @ 47K & higher |
| 70hz purple band | 76hz @ 10K / 65hz @ 47K & higher | 87hz @ 10K / 60hz @ 47K & higher |
| 80hz 2 purple bands | 87hz @ 10K / 76hz @ 47K & higher | 98hz @ 10K / 70hz @ 47K & higher |
| 100hz has no band | 108hz @ 10K / 92hz @ 47K & higher | 125hz @ 10K / 85hz @ 47K & higher |
| 150hz 2 blue bands | 162hz @ 10K / 138hz @ 47K & higher | 187hz @ 10K / 128hz @ 47K & higher |
| 200hz blue band | 216hz @ 10K / 184hz @ 47K & higher | 250hz @ 10K / 170hz @ 47K & higher |
| 300hz 2 white bands | 370hz @ 10K / 250hz @ 47K & higher | |
| 500hz white band | 540hz @ 10K / 460hz @ 47K & higher | 625hz @ 10K / 425hz @ 47K & higher |
| 1khz light blue band | 1.1khz @ 10K / 920hz @ 47K & higher | 1.25khz @ 10K / 850hz @ 47K & higher |
| 2.5khz light green band | 2.7khz @ 10K / 2.3khz @ 47K & higher | 3.12khz @ 10K / 2.12khz @ 47K & higher |
| 3.5khz gray band | 3.78khz @ 10K / 3.2khz @ 47K & higher | 4.37khz @ 10K / 2.97khz @ 47K & higher |
| 6.5khz orange band | 7khz @ 10K / 5980hz @ 47K & higher | 8.12khz @ 10K / 5.5khz @ 47K & higher |
